1. Jill Soloway’s amazing Amazon pilot "Transparent." It’s available for free right now. WATCH IT. It’s got Jeffrey Tambor, Jay Duplass, Gaby Hoffmann, a host of other awesome people.
2. Brooklyn’s Coven Problem, Fifty Shades of Grey Lady Tumblr: “Ms. Alexander and Ms. Tran avowed that there is a more traditional witch, occult and New Age scene in Bushwick, in places like Satan’s Pussy, a bookstore and event space that stocks soul-skewers, bath salts, and other mystical tools, andBody Actualized Third Eye Revival Palace, a yoga studio by day that hosts nocturnal events featuring local freegans and spiritual choreographers. But they said their group engaged with it only superficially.”
3. Gravy Boat: My Week on The High Seas with Paula Deen, Gawker: "But the thing about making headlines in June by announcing a cruise in January is that, come January, those headlines must materialize into a real trip with embarkation times, and cabin assignments, and nausea medication, and paying customers, and paid personalities—even if no one is paying attention anymore. But I was. So I booked a ticket. I wanted to know what life was like in the Paula Deen Universe half a year later. I wanted to see who was willing to spend, at minimum, roughly $3,000 to support a downtrodden millionaire. I wanted to see if there were any black people."
4. Haim + Lorde, Are You Strong Enough To Be My Man?
5. Fries Before Guys, an 8tracks playlist ft Lily Allen, Beyonce, Marina and The Diamonds, Natalia Kills, and more bomb ass bitches.
1. There Isn’t A Cure For Addiction: Reach Out Recovery by Marc Dunn "I was out to dinner after about 30 months and without any premeditation said, “ It’s been 2 ½ years since I had a drink, I can probably have one with dinner.” The naïve responses were, “That’s great.” I was off and running for 6 months. The end came when I totaled my car in a blackout on the interstate, in the middle of the afternoon. Miraculously, I walked away without hurting myself or anyone else. My next step was to try recovery not abstinence. I found that they were compatible and my life could be better. Addiction is cunning and baffling, it will linger inside of us forever patiently waiting for a moment of weakness: a moment that we think we are in charge again and take our will back. Then it will strike and things will get progressively worse. It does for all addicts who relapse."
2. Problem - Natalia Kills
This song is stuck in my head. Natalia Kills is pretty, pretty good. Speaking of ladies in music:
3. Ingrid Michaelson Perfectly Parodies Sexism In Pop Music, PolicyMic "And though Michaelson seems to be a fan of Palmer’s video, her take also draws attention to the original’s double standards and gender norms; "Simply Irresistible" features only one man among a slew of writhing women, along with lyrics about how powerless said man is when faced with their womanly wiles. Michaelson’s, on the other hand, takes care to knock dated ideas that men are always the pursuers and women the pursued. The repeated phrase "girls chase boys chase girls" affords both genders more respect as equal players in any relationship."
4. Learning About Our Relationship To Technology Through All 456 Episodes of Law & Order, The Atlantic “Law & Order, Thompson says, is in some ways a perfect artifact for exploring the history of our relationship to computers. For one, the show’s run covers what is perhaps the significant period for this relationship, the two decades during which computers arrived at and gradually became central features of our lives. But Thompson says that the show’s value is more than that. It’s also the format of the show: It’s ripped from the headlines. It’s meant to mirror things that are happening right now, to be really reflective of culture.”
5. It’s Not ‘All Psychological’: How the Medical Establishment Fails Transgender Patients, RH Reality Check ”That anxiety can lead some transgender people to avoid seeking medical care when they need it. According to a 2011 survey of over 6,000 trans* Americans, a third of respondentshad put off or avoided seeking preventative care, and 28 percent had avoided seeking necessary care. Patients may be flat-out denied treatment, and not just for transgender-related health needs—8 percent of people surveyed as part of a 2009 survey were refused emergency care, with another 8 percent denied necessary surgery. In the same survey, a staggering 70 percent of trans* patients had experienced abusive language, physical abuse, blame for their health status from health-care providers, or providers refusing to touch them.”
Though I tell you, like before,
that you should wreck his life the way that he wrecked yours,
you want no part of his life anymore.
The 6th Floor Blog: New York Times Magazine
This week, take the NYT Mag Cultural Osmosis Pop Quiz before it’s posted. How much do you know about pop music?
I’m looking for people who know absolutely nothing about modern pop and Top 40 music. Especially if you’re all “Katy Perry…is that like, a cartoon cat?” Along those lines of know-nothing-ness. It’s for a my Cultural Osmosis column.
I also want people who live anywhere outside the Northeast and are not comedians/writers.
Email me: email@example.com
Imagine a tour bus pulling up outside of a popular rock club.
There are exuberant fans lined up around the block, all geared up for a sold-out show. You’re probably expecting Axl Rose or Robert Plant to step off of the bus. But now imagine that the musicians filing out onto the sidewalk are eleven and twelve years old.
What you’re picturing is the School of Rock’s All Stars summer tour.
The All Stars are a group of kids ages 10 to 18. They’re the best of the best of the regions of 69 Schools of Rock across the United States and Mexico. Student musicians from the area audition to get in and if selected, participate in a summer-long tour around Long Island, New Jersey and Connecticut. No parents allowed. (Except for four chaperones.) The twenty-odd gifted kids live on the bus, go from venue to venue, and occasionally stay at hotels.
One of the All Stars from the Manhattan School of Rock is a twelve-year-old bespectacled African-American boy named Reef McKeithan.
Reef is the most talented drummer at the Manhattan School of Rock. When I called the school’s General Manager Joanna Erdos to ask if there was any kid at the school she felt fit the definition of “child prodigy,” she was happy to set me up with Reef. His answers to my questions are exactly those of a twelve-year-old boy. He’s a man of few words, let’s say. I don’t know what sort of candy was involved in bribing him to chat with me, a boring, old adult, but I’m glad Reef granted the interview.
Because Reef is a prodigy. He’s a drummer, currently in a band with people mostly five years older than he is. Joanna tells me the guitarist for ‘The Roots’ once came to see Reef play and just kept asking, “How old is he?! How old is he?!” in disbelief.
Raam is leaving for Ecuador later to go on holiday with his parents.
He apologizes profusely because he needs to Skype with them to figure out some logistics for the trip. I tell him it’s cool, that I’ll wait and then I watch him argue with them in Persian for ten minutes. I don’t speak the language at all, but I know they’re fighting because of the tones of voice alone. It ends with Raam saying what I imagine is Persian for “Fine, okay” over and over.
He hangs up and apologizes to me again.
“Were you fighting?” I ask. He says they were, over the choice of hotel. I laugh. Fighting with your parents sounds the same in any language.
Raam looks like the Iranian Buddy Holly, because of his glasses and cropped hair. I joke that Brooklyn, where he lives, has really done him in. It’s a far cry from his home: Tehran, Iran.
Raam is the lead singer and one of the main songwriters of the Iranian punk band, Hypernova. He was born in Iran and moved to Eugene, Oregon when he was young so his father could get his PhD. When Raam was 10, his family moved back to Iran until he was around 18 years old. Then, Raam went to Canada for college and then back to Iran in 2000.
In Iran, Raam’s father is a professor and his mother is a housewife and cooking teacher. They’re also environmental enthusiasts, taking people on treks up the mountains for weeks at a time. His father leads the group and his mother cooks. Raam says his parents support his work 100 percent, despite the inherent dangers of making punk music in Iran.
His girlfriend also calls him during the interview. She and Raam, who never thought he’d sing in his native Persian, collaborated on a song called “The Hunter” for Raam’s new solo project “King Raam.” The song, a beautiful, dark tune that has been tied to the recent Iranian protests, combined her poetry and his music. It became the most popular Persian song of the year.
Before all that: His band Hypernova’s big break came when they were accepted into Texas’s South by Southwest Music Festival in 2007. Because of trouble with their visas, the band members weren’t able to make it to the United States in time.
But what seemed like a huge disappointment actually skyrocketed Hypernova into music superstardom — and got Raam banned from ever again visiting the country where he was born.
Switching up the format a little. Also, this guy is amazing. Please read this!
So I’m 24 hours late on this but I just listened to Kanye West’s new Twitter-released song “Monster” featuring Jay-Z, Rick Ross and Nicki Minaj.
The song is a good enough jam but people have mostly been freaking out about Minaj’s verse, which is frankly pretty fucking awesome.
Minaj has interested me since she started showing up everywhere without even having an album out. Apparently, she’s faced criticism because she’s a black woman wearing weird outfits and wigs (unlike white ladies doing the same shit — what up, Katy Perry and Lady Gaga?) and also, I guess, because people think she only got a big break because Lil Wayne wanted to fuck her.
I’m skeptical of the first one, for obvious racially charged reasons, but more so of the second one because it seems so petty. What decent-looking woman doing well in her field isn’t going to face allegations of only being there because of her looks, no matter how talented she actually is? It’s such an old, tired, played out argument that it almost doesn’t merit denouncing.
Minaj is a talented woman making her way in an undoubtedly male-dominated game, where she is actually being celebrated. Sure, calling herself “Barbie” sometimes isn’t exactly earning her any favor with feminists but I fail to see how her success is anything but positive for women in the rap world.
So, let’s break down Minaj’s verses in “Monster” with a feminist perspective:
Pull up in the monster, automobile gangster, with a bad bitch that came from Sri Lanka
Can you just picture Minaj rolling up alongside the big guys in the game — Kanye and Jay-Z like she totally belongs there? What other female artist right now can claim this kind of acceptance?
Yeah I’m in that Tonka, color of Willy Wonka, You could be the King but watch the Queen conquer
Does this need further explanation? It’s like a feminist guidebook by verse two. That’s right, male rappers, you could be “king” but bow down, because there’s a new queen in town and she’s not just here to sit beside you on the throne: bitch is here to CONQUER.
Ok first things first I’ll eat your brains, Then I’mma start rocking gold teeth and fangs cause that’s what a muthafucking monster do, Hairdresser from Milan, thats what monster do, Monster Giuseppe heel that’s the monster shoe
I think in this verse, Minaj perfectly compliments fashion and looking her best with keeping her head about her and remaining smart. She’s going to eat your brains (your knowledge, your ability to navigate the industry) but while she’s doing it, she’s also going to keep dressing how she does. She’s a monster, the complete package, and she’s not here to muthafucking compromise shit.
Young money is the roster and the monster crew and I’m all up all up all up in the bank with the funny face and if I’m fake I aint notice cause my money aint, So let me get this straight wait I’m the rookie, But my features and my shows ten times your pay, 50k for a verse no album out! Yeah my money’s so tall that my barbie’s gotta climb it
This is where she starts addressing the haters, as one is supposed to do in any good rap song, but also since she’s got plenty of them, it only seems right. First, she acknowledges her acceptance into the Young Money crew, which for a woman, is a huge step. She’s made some impressive strides for women in the rap game and she’s letting everyone know it. She’s also laughing all the way to the bank.
Hotter than a middle eastern climate, find it 20 mataran dutty whine it, while it, Nicki on a pit while I sign it, how these niggas so one-track minded but really really I don’t give a F-U-C-K
This is where she talks about what I mentioned in my intro to this piece: yes, if you’re a hot successful woman, obviously the men around you in your field are going to try and objectify you. They’re going to want to reduce you to being “hot” because they are “one-track minded” but if you stay focused, you can wade through all of that and earn respect as an artist.
Forget Barbie, fuck Nicki she’s fake, she’s on a diet but my pockets eating cheese cake and I’ll say boy the Chucky is Child’s play, just killed another career it’s a mild day
Sadly, even the dudes who want to fuck you on your way to the top can be jealous haters once you surpass them.
Besides ‘Ye they can’t stand besides me, I think me, you and Minaj Friday, Pink wig thick ass give ‘em whip lash I think big get cash make em blink fast
To be a woman who wants to get to the top of her field and needs to bust through a glass ceiling to do so, Minaj is saying you don’t have to compromise your individuality or appearance. Because she wears pink and has a thick ass, her raps aren’t to be taken seriously? She stands her ground as a talented rapper, not just as a talented woman and in the end, she “thinks big” and “gets cash.”
Now look at what you just saw I think this is what you live for, Aaahhhh, I’m a muthafucking monster!
So is Nicki Minaj a new feminist icon? Probably not. But I remain impressed with her skills as a rapper, her ability to stand independently as a female hip-hop artist next to her male peers and her potential to open the door for other lady rappers in the future.
Addendum: Just talked to comic and good bud Josh Gondelman and I wanted to clarify that Nicki is definitely not the first female rapper to try and break into the male-dominated rap game and that she also borrows/is influenced heavily by those who came before her (Eve, Missy Elliott, Lil Kim, etc). Then this happened:
its interesting to me because she’s really the newest female rapper to have across the board acceptance from her male peers and she’s not anyone’s girlfriend and says she never fucked wayne or diddy etc to get her break plus she is legit talented
Would you say that she’s the Maria Bamford of this rap game?
So yes. Maria Bamford is to The Comedians of Comedy as Nicki Minaj is to Young Money. CASE CLOSED.
At the beginning of this summer, I ranted about how there were no bisexual male pop stars. I understand that it’s a marketing issue and that generally women are not as interested in bisexual men as men are in bisexual women. (Girl, that is a mistake but your loss, lady population.)
Barring all of that, I wrote then, even straight female pop stars play around with bisexual imagery in their music videos in a way straight male pop stars could never do.
Ladies, gentlemen and everyone in between, I have been proven wrong!
It seems it’s just the US that’s hung up on the concept of two straight male singers playing lovers in a music video.
UK boy band Take That has been broken up for years but two of its members, Robbie Williams and Gary Barlow, reunited recently on a duet titled “Shame.” The music video for the song, which sounds a bit country and a bit like the theme music from 'Brokeback Mountain,' fittingly pays (cheesy and wonderful) homage to the controversial film.
Williams and Barlow, both straight, play forbidden cowboy lovers in the video who cruise each other in a parking lot, then again at a bar while dancing with their respective girlfriends. The pair then meet up for drinks and exchange longing glances on a fishing/camping trip, which ends with them undressing in front of each other.
That’s right, Americans. You’ve been beaten on this one by England. England! You know, that uptight country where everyone wears petticoats and sits down for tea and courtesies at their monarchical leader? ENGLAND.
The tension and love between the two men is incredibly well-acted in the video and fits the song beautifully. I keep re-watching it and the fact that Virgin Records and both singers decided this was doable is sincerely blowing my mind in the best way possible.
In America, even gay musicians have to make music videos with vague or outsider love interests to avoid angering the public or being too outright gay. Now imagine Justin Timberlake and JC Chasez reuniting for a duet where they play lovers. It would never happen in a million years.
But look! Barlow and Williams pull it off and the world didn’t end, children didn’t immediately become pregnant/gay/vehicles for Satan, the music industry didn’t implode and both their careers remain intact.
The real “shame” in Barlow and Williams’ video is that it took until now to figure this out.